

wonderful pictures
Good place to start for Marilyn photos.Well-known photographs include the Tom Kelley photo that led to the notorious nude calendar, her potato sack dress, the photo Andy Warhol used, her wearing the golden dress, and the Life magazine photo. The final picture is not of her but her obituary flashing across Times Square.
Other material include a 1960 interview done with Georges Belmont for the French magazine Marie Claire. She talks mostly about her early life as a child before going into her adult life. Jane Russell, who was her costar in Gentlemen Prefer Blondes, does a brief but generous foreword on her recollections.
Other photos include scenes from movies, press conferences,and other occasions. There's an annotated biography and filmography in the rear of the book. Each film entry has the distributing company, year, starring cast, and the name of Marilyn's character. As for the bibliography, I was surprised to see I had nine of the books used.
This serves as a cross-section of photos taken by various photographers as well as a photographic history. Good for beginning MM students, as it was for me back then.


Author Knows His Stuff, But Text is Compilation of Articles
Well-Intentioned, Terrible Maps and No Timelines
I do not regret taking the time to read this book, and it is a well-intentioned worthy effort--however, given a new choice, I would probably go with the alternative, by an intelligence professional, "The Secret War for the Union: The Untold Story of Military Intelligence in the Civil War."
I give the author, not an intelligence professional, high marks for the research, the story-telling, and the consistent themes. I give the editor and publisher low marks for the terrible maps (many seem to have lost their unit location markings and other key annotations) and the lack of tables showing "who knew what when..."
Three themes stayed with me as I put the book down:
1) A great deal can be accomplished in terms of intelligence with even a very small number of people--as few as 1-2 on staff, 3-5 behind the lines. We in America have substituted billions for technology and a cast of close to 100,000, for rather poor intelligence and counterintelligence.
2) Maps, especially "information maps," are worth their weight in gold. I was reminded by this book that intelligence has in the past been an off-shoot of topographical engineering and map making, and do believe that we must restore the "hard-wired" connection between geospatial information and the "data" that our human, imagery, and signals professionals seek out.
3) Deserters, prisoners, and legal travelers are a gold mine of information and must, must, must be systematically exploited. No matter the degree to which they may offer up untruths and deceptions, the bottom line is that any commander who fails to plan for the systematic exploitation of these human resources, and to do so in a timely fashion, is derelict in their duty. As I recall, we do not yet have a proper table of organization or equipment in the U.S. force inventory for handling such individuals--the worst battalion, or the over-burdened military police, or some kludge collection of reservists, seems to end up being the solution each time. This dereliction is even more costly in "low intensity" environments.
I will not make too much of it, but I was especially pleased to see how much of Grant's intelligence came from enemy newspapers.
The author seeks to make much--perhaps too much--of how Grant did not allow himself to be immobilized by a lack of intelligence, substituting initiative when intelligence was lacking, but I for one don't buy it. What I see in the book is a substantive appreciation by the General Commanding of the role of intelligence, however poorly manned or funded, and that makes all the difference.


Enjoyable account of this Civil War battle

Over the TopIf you read the book with a grain of salt, accept that everything is over the top, but walk away with a better understanding of Alva's life and times, then this will have been a successful purchase. Do visit Alva's 'Marble House' in Newport, RI. It's immense and beautiful!





